Thursday 24 December 2009
Tuesday 15 December 2009
DARKNESS/ LIGHT/ DARKNESS- Jan Svankmajer
Jan Švankmajer is a Czech surrealist artist. His work spans several media. He is known for his surreal animations and features, which have greatly influenced other artists such as Tim Burton, Terry Gilliam, The Brothers Quay, Shane Acker, and many others.
Švankmajer's trademarks include very exaggerated sounds, often creating a very strange effect in all eating scenes. He often uses fast-motion sequences when people walk or interact. His movies often involve inanimate objects coming alive and being brought to life through stop-motion. Many of his films also include clay objects in stop-motion, otherwise known as claymation. Food is a favourite subject and medium. Stop-motion features in most of his work, though recently his feature films have been including much more live action sequences rather than animation.
Many of his movies, like the short film Down to the Cellar, are made from a child's perspective, while at the same time often having a truly disturbing and even aggressive nature. In 1972 the communist authorities banned him from making films, and many of his later films were suppressed. He was almost unknown in the West until the early 1980s.
Švankmajer's trademarks include very exaggerated sounds, often creating a very strange effect in all eating scenes. He often uses fast-motion sequences when people walk or interact. His movies often involve inanimate objects coming alive and being brought to life through stop-motion. Many of his films also include clay objects in stop-motion, otherwise known as claymation. Food is a favourite subject and medium. Stop-motion features in most of his work, though recently his feature films have been including much more live action sequences rather than animation.
Many of his movies, like the short film Down to the Cellar, are made from a child's perspective, while at the same time often having a truly disturbing and even aggressive nature. In 1972 the communist authorities banned him from making films, and many of his later films were suppressed. He was almost unknown in the West until the early 1980s.
Monday 14 December 2009
NEIGHBOURS- Norman McLaren
This film uses the technique known as pixilation, an animation technique using live actors as stop-motion objects. McLaren created the soundtrack of the film by scratching the edge of the film, creating various blobs, lines, and triangles which the projector read as sound. "I was inspired to make Neighbours by a stay of almost a year in the People's Republic of China. Although I only saw the beginnings of Mao's revolution, my faith in human nature was reinvigorated by it. Then I came back to Quebec and the Korean War began. (...) I decided to make a really strong film about anti-militarism and against war." — Norman McLaren
Saturday 12 December 2009
YOUR FACE- Bill Plympton
This is the film that set the style and started the career of Bill Plympton. One of the most profitable short films ever made, it's still showing all over the world. As a second-rate crooner sings about the beauties of his lover's face, his own face metamorphosizes into the most surreal shapes and contortions possible. The music was written and sung by Maureen McElheron, then slowed down to sound like a man's voice because Mr. Plympton was too cheap to hire a male singer. 1988 Academy Award nominee for Best Animation. |
your face
scandinavia | MySpace Video
Friday 11 December 2009
TANGO- Zbigniew Rybczyński
"Thirty-six characters from different stages of life - representations of different times - interact in one room, moving in loops, observed by a static camera. I had to draw and paint about 16.000 cell-mattes, and make several hundred thousand exposures on an optical printer. It took a full seven months, sixteen hours per day, to make the piece. The miracle is that the negative got through the process with only minor damage, and I made less than one hundred mathematical mistakes out of several hundred thousand possibilities. In the final result, there are plenty of flaws ® black lines are visible around humans, jitters caused by the instability of film material resulting from film perforation and elasticity of celluloid, changes of colour caused by the fluctuation in colour temperature of the projector bulb and, inevitably, dirt, grain and scratches.”
- Zbig Rybczynski –Looking to the Future - Imagining the Truth,” in FranÐois Penz, Maureen Thomas, Cinema& Architecture. Mþliús, Mallet-Stevens, Multimedia, BFI, London, 1997
- Zbig Rybczynski –Looking to the Future - Imagining the Truth,” in FranÐois Penz, Maureen Thomas, Cinema& Architecture. Mþliús, Mallet-Stevens, Multimedia, BFI, London, 1997
Saturday 5 December 2009
BROKEN DOWN FILM- Osamu Tezuka
Broken Down Film, 1985. A 6 minute animation film which parodied old cartoons, and the techniques used by animators to fake a 'film break', by having a Wild West cartoon, supposedly made in 1885, continually have faults with the tracking and the film running too fast, as well as the occasional break in the film, rendering it impossible sometimes for characters to do anything.
Dr. Osamu Tezuka is best known as the creator of Astro Boy and Kimba the White Lion. He is often credited as the "Godfather of Anime", and is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during his formative years. His prolific output, pioneering techniques, and innovative redefinitions of genres earned him such titles as "the father of manga", "the god of manga" and "kamisama of manga". His grave is located in Tokyo's Souzen-ji Temple Cemetery.
Dr. Osamu Tezuka is best known as the creator of Astro Boy and Kimba the White Lion. He is often credited as the "Godfather of Anime", and is often considered the Japanese equivalent to Walt Disney, who served as a major inspiration during his formative years. His prolific output, pioneering techniques, and innovative redefinitions of genres earned him such titles as "the father of manga", "the god of manga" and "kamisama of manga". His grave is located in Tokyo's Souzen-ji Temple Cemetery.
Thursday 3 December 2009
VINCENT- Tim Burton
In 1982, Burton made his first short, Vincent, a 5:52 black and white stop motion film based around a poem written by Burton, and depicting a young boy who fantasizes that he is his (and Burton's) screen idol Vincent Price, with Price himself providing narration. The film was produced by Burton's girlfriend at the time, who was an executive at Disney.
Sunday 29 November 2009
LA COURSE À L'ABÎME- Georges Schwizgebel
"The Ride to the Abyss"... Two riders on galloping horses disappear and reappear, alternating with other animated images moving to the same rhythm... What I like the most is the fact the whole animation is happening on one canvas... All scenes are painted in circular order but it`s hard to notice that till the end.
Georges Schwizgebel has directed 15 animated films during the last three decades, while also creating theatre sets, designing murals and participating in numerous exhibitions. His films reveal a plastic universe, one that surprises us with its efficient and economical use of lines while demonstrating a real sense of animated motion - all this accompanied by surprising musical twists and turns.
PRODUCTION CREDITS
Animated and Directed by Georges Schwizgebel
Music: "La Damnation de Faust", by Hector Berloiz
Georges Schwizgebel has directed 15 animated films during the last three decades, while also creating theatre sets, designing murals and participating in numerous exhibitions. His films reveal a plastic universe, one that surprises us with its efficient and economical use of lines while demonstrating a real sense of animated motion - all this accompanied by surprising musical twists and turns.
PRODUCTION CREDITS
Animated and Directed by Georges Schwizgebel
Music: "La Damnation de Faust", by Hector Berloiz
Friday 27 November 2009
RABBIT- Run Wrake
Unfortunately, I don`t have time to write about this movie now.... Just check it out :)
Tuesday 24 November 2009
Thursday 19 November 2009
EVERY CHILD- Derek Lamb, Eugene Fedorenko
To commemorate the declaration of the UNICEF about the rights about the child, this film illustrates the theme "Every child has the right for a name and nationality when born." There is even a reminder at the end of the film for the viewer to support UNICEF.
This animated short tells the story of a child rejected of every home, then found by two tramps who give her love and tenderness.
This is a film without words, incorporating sounds by Les Mîmes Électriques (The Electric Mimes).
In 1980 Derek Lamb won an Oscar for Best Short Film, Animated at the Academy Awards, USA
This animated short tells the story of a child rejected of every home, then found by two tramps who give her love and tenderness.
This is a film without words, incorporating sounds by Les Mîmes Électriques (The Electric Mimes).
In 1980 Derek Lamb won an Oscar for Best Short Film, Animated at the Academy Awards, USA
Tuesday 10 November 2009
AT THE ENDS OF THE EARTH- Konstantin Bronzit
Saturday 7 November 2009
THE DOT AND A LINE: A ROMANCE IN LOWER MATHEMATICS- Chuck Jones
is a book written and illustrated by Norton Juster, first published in 1963.
In 1965, famed animator Chuck Jones and the MGM Animation/Visual Arts studio adapted The Dot and the Line into a 10-minute animated short film for narrated by Robert Morley. The Dot and the Line won the 1965 Academy Award for Animated Short Film. It was entered into the Short Film Palme d'Or competition at the 1966 Cannes Film Festival.
In 1965, famed animator Chuck Jones and the MGM Animation/Visual Arts studio adapted The Dot and the Line into a 10-minute animated short film for narrated by Robert Morley. The Dot and the Line won the 1965 Academy Award for Animated Short Film. It was entered into the Short Film Palme d'Or competition at the 1966 Cannes Film Festival.
SUROGAT/ ERZATZ- Dusan Vukotic
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